Saint Audio

Saint Audio Mixes #049: syence

syence crafted a mix highlighting their notable bass pop sound, heard most recently in their brand-new single “hate u like you love me.” We sat down with the production duo to discuss their roots and the genre they’re playing a hand in shaping. Tell our readers a little bit about yourselves. syence is two of… [continued]
Essentials: “She’s Happy? (Featuring Luma)” – Rich Delinquent

Wonky synths swirl and twist around self-aware lyrics as Rich Delinquent and Luma ask if “She’s Happy?” The new single from the “Bad Time” singer and producer questions a relationship over stutter-step drops and emotional acoustic instruments in this catchy duet that seems as inspired by The Weeknd as it does Flume. “She’s Happy?” is… [continued]
Essentials: “ApexClub” – Gaszia

2021 has been a bit of a breakout year for Aaron Spasiano, better known as Gaszia. He has always been well-respected and acclaimed as one-half of X&G, but this year he’s been creating and releasing more material on his own – this includes “Machina” from the Boost Tape 02 compilation, an EP entitled Fired Up,… [continued]
No Mana Releases Electromag Compilation + Sets Off On Accompanying Tour

Electro house is back with a bang on the new Electromag compilation from electro house savant No Mana. Preceded by singles “Can’t Say No” by No Mana and Tommy Trash, “The Original” from Wolfgang Gartner and EDDIE & Bad Disk‘s “Electro Forever,” the 19 track compilation is out now via Mau5trap. Bringing together established… [continued]
Essentials: “Electro Forever” – EDDIE x Bad Disk

“Electro Forever” might be the most aptly titled song you hear this year. It might also be one of the most danceable. In aid of No Mana’s quest to make “electro house great again”, Australian producer EDDIE and South African producer Bad Disk combine for a trans-oceanic collaboration for the ages. The track itself combines… [continued]
Twenty Years of Disintegration

There are moments that bring the realization that everything must change. The announcement of a birth, a partner taking one knee, a layoff, an arrest. As life shifts and transforms, it becomes obvious that we are woefully unable to tell the future, that we must simply adapt to the new niches created for us. Twenty… [continued]
Album Review: infina ad nausea – QRTR

The record label Dome of Doom has long been one of the strongest underground labels meeting at the intersection of hip hop and electronic music, releasing fantastic bodies of work by highly regarded names such as Daedelus, Great Dane, and Dabow. What sets them apart from many other labels in this lane, though, is their… [continued]
EP Review: Tansuri – Tutara Peak

2020 was a major year for the UK-based duo Ekcle. Their brand of classy halftime neurofunk proved to be extremely popular among both fans and critics alike, and they even got the opportunity to do a remix for DJ Shadow, one of the all-time greats in electronic music. As a result, it came as a… [continued]
Saint Audio Mixes #048: Snapcaster

Following his magnetic, brutally heavy set in this year’s BopFest, Snapcaster joins us for a mix filled with his own electronic philosophy. Listen to the mix, and get to know Snapcaster in our interview. Tell our readers a little bit about yourself. Hi, I’m David, also known as Snapcaster, and I’m a huge fan of… [continued]
Essentials: “Sad Sad Sad” – ROSIE

Soft, melodic strokes that open ROSIE’s “Sad Sad Sad.” But what set this apart from just a ballad is the gentle pop backbone behind it. What comes to pass is a track not only about grief, but about its consistency over time. Soft and easy to start, “Sad Sad Sad” relays the realities of depression… [continued]