Electronic – Saint Audio

Premiere: “alright (feat. Dutch Melrose)” – rad cat

As his introduction to music, rad cat‘s love for a Fender Starcaster would allow him to discover a new passion: electronic dance music. Eventually, Christian Ariza’s strong musicality drew attention from several major record labels. As a young prospect to the music game, he garnered traction across streaming platforms with millions of streams for original… [continued]
Flume Makes “Friends” With Reo Cragun

After a surprise mixtape Hi This Is Flume dropped last week, Flume capitalizes on his momentum with another experimental rendition that reflects his dynamic shift in sound. In a recent documentary, Australian-born producer Harley Streten explains that he doesn’t conform to the normal conventions of song structure and instrumentation. As a prime example, “Friends” serves as an introduction… [continued]
Album Review: Ark Patrol – Ark Patrol

We are often fed the narrative that enduring through struggle—whether it be physical, mental, or emotional—will push us forward to a greater creative output as a reward for our suffering. That is the story that we are given because it is a pleasant way to look at the world; when we’re surrounded by chaos, finding… [continued]
Album Review: Falcons and B. Lewis – DAYDRIFT

As the crisp autumn air turns into brisk winter nights, Falcons and B. Lewis concocted the perfect blend of R&B, future bass, EDM & hip hop to heat up a late night cruise. Based in Los Angeles, Falcons is a producer that garnered acclaim with his fusion of multiple genres. Utilizing elements of R&B, hip hop & EDM, his… [continued]
Essentials: “Moving On (feat. Kaitlin Keegan)” – Mwansa

If you wanted a dash of summer vibes in the middle of July, then look no further than Mwansa‘s latest effort, “Moving On”. Based in Australia, the upcoming singer/producer is aptly back with a tropical house track oozing with Carribean-influenced instrumentation. Reminscient of dancehall, the rhythmic guitar riff provides a foundation for deep house percussion laced… [continued]
An Interview With: KRANE

Now on the Fallout: Part 2 tour, KRANE spoke to Saint Audio about life on the road, and how he stays focused on creating his memorable brand of EDM. Tell me a little more about yourself and your music. I had a 9 to 5 and started listening to electronic music probably like four to… [continued]
Essentials: Unbalanced EP – Haich

Drawing influence from fellow UK music makers James Blake and Sampha, Haich‘s debut EP Unbalanced is a foray into sonic surrealism. Playing with our ideas of sounds we typically ascribe to UK dance music, Haich’s experimental approach results in a collection of songs that are as meticulously detailed as they are amorphous. He deftly leaps… [continued]
Essentials: “Wicked Game” – Selfish Skin

Selfish Skin gives Chris Isaak’s “Wicked Game” an electronic-dance remake with this cover, performed by Amanda Huff and produced by Cristian Strehlow. The track begins with slow notes followed by echoes of Huff’s vocalizations, setting up an ethereal, trancelike atmosphere. Then a syncopated beat drops and the echoes of Huff’s voice are replaced with her… [continued]
NAKED’s “WHIP” Sounds Like Crystal Castles On Acid

Edinburgh experimental trio NAKED releases a new single with Halycon Veil, titled “WHIP”. Crystalline tones burst from a soundscape of industrial sludge as drum pound in this hypnotic, nightmarish aura. It sounds as if someone took an old Crystal Castles song and decided to lace it with some LCD. Stream it, and watch out for… [continued]
Album Review: A Moment Apart – ODESZA

As a departure from their groundbreaking release In Return, electronic music duo ODESZA is back with an ethereal experience that transports you into the depths of space. Similar to EDM juggernauts The Glitch Mob and Pretty Lights, the Seattle-based group spearheaded a unique blend of acoustic instrumentation and future bass sounds called indietronica. Harrison Mills and Clayton Knight brings this genre to life… [continued]